Watercolor Sketch In Gray
Showing Light and Form With Value
Painting In Gray
You may have worked with shades of gray before. You may have worked through the process of showing light and form with value with this cube study lesson.
There is one great advantage to painting only in gray. That is, there is no need to deal with other aspects of color to develop a dynamic painting. If you’ve not heard it already, value is more effective than color creating the illusion of light, form and space. More specifically, changes of and contrasts between different values are better at creating the illusion of three-dimensional shape and the light falling on the subject.
It’s not often that you run across an actual subject that can be painted with only grays. You’ll find that subjects that are completely white and sitting on completely white backgrounds are those that fit the bill. We are lucky to have one such subject in this lesson!
In this lesson, we’ll be doing a quick sketch a compact flouresent light bulb. It is not an exciting subject, nor one that you might actually want to paint! But it will work really well for our focused “paint in gray” exercise.
Hot Pressed Watercolor Paper
We’ll be painting on hot pressed paper in this lesson. If you have ever tried hot pressed watercolor paper, you probably learned very quickly that it is very different than cold press paper. It’s name tells you about what happens when it is being processed. The paper is pressed with hot rollers and the paper fibers become highly compressed. The result is a very smooth surface that is really not very absorbent. These qualities will produce very distinct effects in your painting.
The smooth surface makes it possible to get good wash effects with much less water than on cold press paper. Transparency is greatly enhanced since the color is really sitting on the surface of the paper. And, it is much easier to remove color from hot-pressed paper than any other surface. It also takes direct and precise lines very well, making it a great choice for illustration.
The biggest drawback, is that it is prone to blooming. The smooth surface makes it difficult to create rough edges and textures. It also tends to stay “wetter” longer, since the paper does not help by absorbing some of the excess water.
It is a tricky surface to work with, but experience always helps.
What you’ll need
- Brushes – Medium Round, Small Round
- Colors – Cobalt Blue, Ultramarine Blue, Burnt Sienna