Early Spring Landscape Painting Project
Drybrush Technique Works For Sparkling Light and Wispy Branches
One sure sign of Spring is the change in the branches of the weeping willow trees. The long, slender terminal branches that hold the leaves have a yellow-ish cast all winter. As the light gets brighter, the color of these branches brightens up as they prepare to leaf out for the summer. In this lesson we learn to paint those early spring willows and an early spring landscape with them.
Watercolor Painting Lesson For A Spring Landscape Scene
It’s finally spring here in the northern latitudes. Although you can’t really tell it much. But, one sure sign of the coming Spring is the change in the branches of the weeping willow trees. The long, slender terminal branches that hold the leaves have a yellow-ish cast all winter. As the light gets brighter, the color of these branches brightens up as they prepare to leaf out for the summer. It’s a sure sign and one we’re glad to see when it happens.
Drybrush Technique and Low-Intensity Colors
Late winter and early spring can look much the same. Without snow cover, the fields are generally some version of brown or tan, while still bare trees are gray or brown. Doesn’t make for a colorful scene.
But, the landscape and the wispy branches of the weeping willow and the sense of sparkling light gives us the opportunity to work with basic drybrush technique. In this lesson we’ll really focus on the rough textures drybrush work creates and use it to our advantage in creating a dynamic, light filled early spring scene.
Note On The Drawing Layout
The drawing for this painting is simple and can be traced or drawn free-hand. You’ll see that the lines on my drawing layout are fairly dark so that you can see them on the screen. But, I recommend drawing them lightly since we will be using mostly light colors and values in this painting. It isn’t a big problem if the pencil lines show through a watercolor painting, but sometimes they are distracting.
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What You’ll Need:
- Paper – and eighth sheet, 7″x 11″ of watercolor paper, approx. – as always, Arches 140lb Cold Press is recommended
- Paint – Cadmium Yellow Medium, Raw Sienna, Burnt Sienna, Quinacridone Burnt Scarlet, Cobalt Blue, Cerulean Blue
- Brushes – Medium and Small Rounds, 1/4″ Flat, Rigger
Color note: A mixture of Permanent Alizarin Crimson and Burnt Sienna is a good substitute for Quinacridone Burnt Scarlet
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This short focused lesson will show you how to depict these special trees in early spring using the basic watercolor drybrush technique.
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Excellent lesson with lots of good tips. you explain things very well. thanks,
Hi Tony,
There doesn’t seem to be a link to the drawing layout for the Early Spring Landscape Weeping Willows Scene project. I got the drawing layout for the tree technique but cannot find the one for the landscape scene itself. Thanks,
Peggy
Hi Tony, Just making sure you got my first note about the missing drawing layout for the Early Spring Landscape Weeping Willows Scene project. The one for the single Willow tree technique is posted, but not the one for this project with willows and the building. Thanks, Peggy