Paint A Yellow Iris Loose And Free

Create An Impressionistic Painting Of A Yellow Iris With Easy Technique

Paint Loose

There is nothing looser that watercolor paint flowing free on wet paper.  

This lesson uses only two basic watercolor painting techniques – wet-in-wet and dry-in-wet. Combined in a particular way, allowed freedom and handled with skill, these two techniques can produce powerful, expressive paintings. 

Loose, flowing washes are a unique characteristic of transparent watercolor. It is impossible to obtain in any other medium. Watercolor painters desire this effect in their work but often find it difficult to “let go”.  This lesson will help. 

Fresh Paint

One of the keys to making this paint both loose and vibrant is in using paint freshly squeezed from the tube.  It will ensure the wet-in-wet passages stay colorful and vibrant.

Thick, freshly squeezed paint stroked into wet passages is perfect for creating dark contrasts and to form edges that create recognizable shapes for the flowers and stems. This is the essence of the dry-in-wet technique. 

Many watercolor painters work with the dried color on their palettes. Even when moistening the dry color before painting, it is difficult to get full intensity color saturation.

Working with the freshly squeezed paint in this lesson may open a new process and new of working for you. 

Same Subject, Different Painting

This subject is the same as in another recent lesson – Painting Yellow Irises In Watercolor.  The result in this lesson could barely be more different! 

No matter how one likes to paint – tight, loose, or somewhere in between – it is always beneficial to try new techniques or new approaches with familiar techniques. Not only does it increase skill, but also expands one’s thinking about many aspects of painting, composition and art. 

What you’ll need:

  • Brushes – Large, Meduim and Small FLATS
  • Colors – Cadmium Yellow, Lemon Yellow or Aureolin Yellow, Permanent Alizarin Crimson, Winsor Newton French Ultramarine Blue, Cobalt Blue, Raw Sienna, Burnt Sienna
  • Watercolor paper – preferably Arches 140lb Cold Press cut to about 11″ x 7″ or so

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Painting Yellow Irises With Control And Layering

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Instead, it really involves being ‘tight’ along the outer edges of the shapes while still allowing washes to flow freely within the edges and building up color, value and detail using fluid layers of paint.

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